Svetlana Alexievich, author of Voices from Chernobyl, Zinky Boys, and War’s Unwomanly Face, was announced today at noon, Swedish time, as the 2015 recipient of the Nobel Prize in Literature. The prize is worth $960,000.
The TextBook Centre Jomo Kenyatta Prize for Literature has honored Yvonne Adhiambo Owuor’s novel Dust with its Sh300,000 award. Dust was shortlisted for the 2nd Annual Folio Prize and longlisted for the inaugural F/T Oppenheimer Funds Emerging Voices Awards.
Read Angela Flournoy’s full conversation with Tayari Jones on BarnesandNoble.com.
Kirkus, the book review and editing service, has announced the finalists contending for $50,000 per category for its second annual prize. The winners will be announced on October 16, 2015 at a ceremony in Austin, Texas.
The Incarnations by Susan Barker
A Manual for Cleaning Women by Lucia Berlin
Fates and Furies by Lauren Groff (also longlisted for the 2015 National Book Award)
The Story of My Teeth by Valeria Luiselli; translated by Christina MacSweeney
The Book of Aron by Jim Shepard
A Little Life by Hanya Yanagihara (also on the 2015 Man Booker Prize shortlist and the 2015 National Book Award longlist)
Between the World and Me: Notes on the First 150 Years in America by Ta-Nehisi Coates (also on the 2015 National Book Award longlist)
Whirlwind: The American Revolution and the War that Won It by John Ferling
H Is for Hawk by Helen Macdonald
The Deluge: The Great War, America and the Remaking of the Global Order, 1916-1931 by Adam Tooze
Pacific: Silicon Chips and Surfboards, Coral Reefs and Atom Bombs, Brutal Dictators, Fading Empires, and the Coming Collision of the World’s Superpowers by Simon Winchester
The Invention of Nature: Alexander von Humboldt’s New World by Andrea Wulf
YOUNG READERS’ LITERATURE
The New Small Person by Lauren Child
Lillian’s Right to Vote: A Celebration of the Voting Rights Act of 1965 by Jonah Winter; illustrated by Shane W. Evans
Echo by Pam Muñoz Ryan
Funny Bones: Posada and His Day of the Dead Calaveras by Duncan Tonatiuh
Last year, Lily King’s Euphoria, Roz Chast’s Can’t We Talk About Something More Pleasant?, and Kate Samworth’s Aviary Wonders Inc.: Spring Catalog and Instruction Manual took the inaugural Kirkus Prizes for fiction, non-fiction, and young readers’ literature, respectively .
As National Correspondent at The Atlantic, Coates has written a number of illuminating articles about the impact of race and racism in American life including the 2013 National Magazine Award Winning “Fear of a Black President” and 2014’s “The Case for Reparations” which earned the 2015 Harriet Beecher Stowe Center Prize for Writing to Advance Social Justice. His most recent book Between the World and Me, released in July 2015 and shortlisted for a 2015 National Book Award, was an instant bestseller. Last week, Coates and comic book icon Marvel announced Coates will pen a new Black Panther series.
Ben Lerner is the author of the novels Leaving the Atocha Station and 10:04, and the poetry collections The Lichtenberg Figures, Angle of Yaw, and Mean Free Path, among other projects. Leaving the Atocha Station earned the runner-up honor for the 2013 Sami Rohr Prize for Jewish Literature and made the shortlist for the 2013 James Tait Black Prize. 10:04 was shortlisted for the 2nd Annual Folio Prize.
The playwright behind 2007 Broadway hit In the Heights and the 2015 release Hamilton, Lin-Manuel Miranda is also an actor, composer, and lyricist whose credits include Bring It On: The Musical, tick, tick…BOOM!, Merrily We Roll Along, and “21 Chump Street,” for This American Life.
Ellen Bryant Voigt has authored eight poetry collections Claiming Kin, Forces of Plenty, Kyrie, The Lotus Flowers, Two Trees, Shadow of Heaven, Messenger: New and Selected Poems 1976-2006, and Headwaters.
Yesterday’s New York Times features a story that indicates publishers are no longer “seized by collective panic over the uncertain future of print.” In “The Plot Twist: E-Book Sales Slip, and Print is Far From Dead“, writer Alexandra Alter reports that publishers are, in fact, investing more in print:
Publishers, seeking to capitalize on the shift, are pouring money into their print infrastructures and distribution. Hachette added 218,000 square feet to its Indiana warehouse late last year, and Simon & Schuster is expanding its New Jersey distribution facility by 200,000 square feet.
Penguin Random House has invested nearly $100 million in expanding and updating its warehouses and speeding up distribution of its books. It added 365,000 square feet last year to its warehouse in Crawfordsville, Ind., more than doubling the size of the warehouse.
This outsize investment in shoring up print seems to ignore another finding in Alter’s piece—that “a growing number of people are reading e-books on their cellphones.” Shouldn’t publishers be investing in mobile; particularly in ways readers can seamlessly transition from print to mobile without losing their place in a book—same way they can with an e-reader and certain audio reading apps?
Anything could change as far as our collective dependence on our mobile phones. Yet another study could come out that details how the diodes of light our cellphone screens emit are searing our optic nerves, followed by a campaign to #lookaway or #shutdown and #spendtimenotselfies. But right now, telecommunications companies are investing heavily in content that can be pushed from mobile devices. It’s no coincidence Nigerian internet and phone data company Etisalat sponsors an eponymous literature prize. This in mind, shouldn’t publishers be paying closer attention to these trends and figuring out how to get in on or ahead of them?
Simon and Schuster President and CEO Carolyn Reidy is quoted as asking: “Will the next generation want to read books on their smartphones, and will we see another burst come?” I hope publishers are actively seeking and leading the charge in arriving at the answer.
Mira Jacob wrote the critically applauded novel The Sleepwalker’s Guide to Dancing which she says was thoughtfully and enthusiastically handled by her publishers. But as she went around the country and world promoting the 2014 release, she found certain members of the press, and some readers, unable to get past the fact that though she is Indian her story touches upon universal themes applicable to people of all backgrounds. Whether it was a radio show producer calling her characters’ East Indian names confusing or a donor at a book festival party remarking on her good English, Jacob writes on Buzzfeed.com of a frustrating battle to alert people to the fact that white people, and white audiences, are not the only people or audience there is; and that she and her writing are not as “different” as some might assume. Even more demoralizing, as she tried to explain all of this to a room full of publishing industry professionals, she says many of her colleagues were not listening.
Here’s an excerpt of what Jacob had to say:
This producer feared his audience would not be able to relate to Jacob’s characters or story if they were not dumbed down, but as Jacob wrote, “American audiences are capable of so much more than some in your industry imagine.”
I’ve written here before that I willingly embrace being categorized as an African/etc writer. I am proud of who and what I am, and I do believe that the many things that make me who I am inform my writing to a large extent. I also believe that the reticence by some to be so labeled is because certain labels are more confining than others. An “American writer” or a “British writer”, for example, is not usually judged as being unable to tell a universal story or pigeonholed to write particular content, while writers of color or expressed sexual orientation or avowed religious affiliation have traditionally been charged with / expected to produce a particular kind of content. For my part, I aim to embrace my identity markers even as I break their expected molds, just by being myself. This ambition notwithstanding, it is not any less exhausting to be ignored, glazed over, or assumed to be a certain way because people only see or hear one thing when they meet you.
The point of a category or synopsis is to help you filter out the clutter of choice and get a snapshot to assist you in making a decision — it is not meant to enable you to stop at the superficial. Kind of like dating, you know what you tend to like physically or what your “type” tends to be, but soon after making contact, you have to determine if there is something more, underneath the surface, connecting you. This is why you might be surprised to find yourself dating or marrying someone who isn’t usually your type.
Relatability is not solely contingent on a shared background, race, gender, class, etc. While points of similarity are definitely powerful connectors, they are not the only ones and they are not always the most meaningful. As poet Sherman Alexie found out/Michael Derrick Hudson exploited, they can lead us astray if we don’t move past the surface. As Mira Jacob pointed out in her speech, refusing to delve deeper or resting in the instinct to make snap judgments about people who don’t look or sound like you is counter to “solid, actual business sense”. She adds, “White Americans can care about more than just themselves. They really can. And the rest of us? We are DYING to see ourselves anywhere. …There is a vast, untapped audience out there. You need to get to us.”
The Committee to Protect Journalists has announced the recipients of their 2015 International Press Freedom Awards via a press release distributed on Tuesday September 15th. The winners are:
- Zone 9 bloggers of Ethiopia, a group of bloggers of which six were arrested, imprisoned, and charged with terrorism in retaliation for critical reporting;
- Zulkiflee Anwar Ulhaque, “Zunar,” of Malaysia, CPJ’s first cartoonist awardee, who is charged with sedition and faces a potential 43-year jail term for drawings lampooning high-level abuse in the Malaysian government;
- Cándido Figueredo Ruíz, a Paraguayan journalist who faces death threats and has lived under 24-hour police protection for the past decade because of his reporting on drug smuggling on the Brazil-Paraguay border; and
- Raqqa is Being Slaughtered Silently, a Syrian citizen journalist collective and one of the few independent news sources that continues to report from inside the Islamic State’s self-proclaimed capital.
- The Associated Press’s special regional correspondent for Pakistan and Afghanistan, Kathy Gannon, will receive the Burton Benjamin Memorial Award for lifetime achievement in the cause of press freedom.
ABC World News Tonight anchor David Muir will host the award and benefit dinner honoring the winners in New York on November 24, 2015. Steven R. Swartz, President and CEO of Hearst, is the dinner chairman.