Rest in Peace, Elmore Leonard

Elmore Leonard, author of "Get Shorty", "3:10 to Yuma", and "Rum Punch" on which the movie "Jackie Brown" is based, has died at 87. - peoplewhowrite

“After writing almost anonymously [for decades]… I am what you call an overnight success,” Elmore Leonard once said.

Elmore Leonard, author of several titles that inspired film adaptations including Get Shorty, 3:10 to Yuma, Out of Sight, and Rum Punch (on which the movie Jackie Brown is based) has died at 87. He was at work on his 46th novel.

Simon & Schuster and Barnes & Noble Mend Fences

Simon and Schuster Announces Truce with Barnes and Noble_peoplewhowrite

Eight months after Barnes and Noble reduced orders of Simon and Schuster titles because the bookseller felt the publisher was not supporting their bookstores, a truce has been called. In an email sent August 19th to Simon and Schuster authors and their agents, CEO Carolyn Reidy announced that the two entities “have resolved their outstanding business issues.”

She added, “While my greatest preference would be that the events of recent months had not happened, we are all pleased that once again we can focus entirely on…bringing your books to readers everywhere.”

More on the Long Acknowledgments Section

Olaudah Equiano acknowledged 311 names in his autobiography which he published in England in the late 1780s - peoplewhowrite

Olaudah Equiano acknowledged 311 names in his autobiography which he published in England in the late 1780s

Back in March, the New Republic posted a piece bemoaning the recent trend in overly long Acknowledgments sections in books , but it turns out the practice of thanking a lengthy list goes way back. When Olaudah Equiano, a Nigerian man who was snatched from his home into slavery in the mid 1700s, penned his self-published autobiography The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, the first several pages of the first edition was packed with 311 names.

According to James Walvin, who has written a biography on Equiano, the use of subscribers was a “well-tried method.” Walvin illuminates:

The subscription system of publication had a long an honourable tradition, and was, in essence, a variant of the old aristocratic patronage of writing and publication. By the late eighteenth century, subscription had become an accepted way for unknown writers to break into print. The list of subscribers was printed in the books, at once flattering them and revealing the author’s connections with distinguished patrons.

In Equiano’s case, the list indicated ties to the British royal family, abolitionists and other powerful supporters that helped make it easier for him to gain entree to new markets across Europe, and ultimately publish nine editions of his book. Formerly enslaved, Equiano died a bestselling author with his story translated into Dutch, German and Russian.