The Etisalat Prize for Literature Longlist is Here!

The 2014 Etisalat Prize for Literature will be announced February 22, 2015 - peoplewhowrite

UPDATE: The shortlist for the Etisalat Prize was announced December 9th, culling the longlist of nine titles down to three: An Imperfect Blessing by Nadia Davids, Penumbra by Songeziwe Mahlangu, and Happiness, Like Water by Chinelo Okparanta. The winner will be revealed February 22, 2015.

The Etisalat Prize for Literature was founded in 2013 by the Nigerian telecommunications giant Etisalat to spotlight debut African novelists. Last year, NoViolet Buluwayo’s We Need New Names edged out Yewande Omotoso’s Bom Boy, Yejide Kilanko’s Daughters Who Walk This Path, Karen Jennings’ Finding Southbek, Ifeanyi Ajeagbo’s Sarah House, Jamila Safari’s The Great Agony and Pure Laughter of the Gods, Chibundu Onuzo’s The Spider King’s Daughter, Claire Robertson’s The Spiral House, and The Whispering Trees by Abubakar Adam Ibrahim. Buluwayo, who recently won the Hurston-Wright Foundation’s Legacy Award for critically-praised novel, gifted the fellowship to Omotoso, her runner-up.

This week, the prize administrators shared the 2014 longlist contending for the £15,000 cash prize and a fellowship at University of East Anglia under the mentorship of Professor Giles Foden, author of the Last King of Scotland. Judges Sarah Ladipo Manyika (Chair), Alain Mabanckou, Jamal Mahjoub, and Tsitsi Dangarembga will agree on a whittled list by December 8, 2014, and, ultimately, the winner, who will be announced on February 22, 2015.

The full 2014 longlist is here:

An Imperfect Blessing by Nadia Davids
Whoever Fears the Sea by Justin Fox
The Thunder that Roars by Imran Garda
Penumbra by Songeziwe Mahlangu
Kintu by Jennifer Nansubuga Makumbi (the 2014 Commonwealth Prize Winner)
Fresh Air and other stories by Reward Nsirim
Happiness, Like Water by Chinelo Okparanta (this year’s Lambda Award Winner for Lesbian General Fiction)
Ghana Must Go by Taiye Selasi (longlisted for the 2014 Sunday Times EFG Short Story Award)
Shadows by Novuyo Rosa Tshuma

Luis Negron, Chinelo Okparanta Win Lambda Awards

Christina B. Hanhardt accepts LGBT Studies Lambda for Safe Space: Gay Neighborhood History and the Politics of Violence - peoplewhowrite

Christina B. Hanhardt accepts LGBT Studies Lambda for Safe Space: Gay Neighborhood History and the Politics of Violence

The 26th Annual Lambda Literary Awards opened Gay Pride Month with a celebration of the best in LGBTQI literature, past and present. The celebration began with a screening of the video “The LGBTQI Book That Saved My Life” in which readers shared the tomes that helped them come out, whether to their worlds or themselves. Graphic memoirist Alison Bechdel was feted with the Board of Trustees Award for Excellence in Literature for her body of work which includes comic strip Dykes to Watch Out For and graphic memoirs Fun Home and Are You My Mother?

Kate Bornstein earned a standing ovation for her acceptance speech after receiving the Pioneer Award by her life partner Barbara Carrellas. Michael Thomas Ford and Radclyffe were awarded with the Dr. James Duggins Outstanding Mid-Career Novelist Prize and Imogen Binnie and Charles Rice-Gonzalez were presented with the Dr. Betty Berzon Emerging Writer Award.

GAY GENERAL FICTION
Mundo Cruel: Stories by Luis Negron; translated by Suzanne Jill Levine

LESBIAN GENERAL FICTION
Happiness, Like Water by Chinelo Okparanta

LGBT DEBUT
Descendants of Hagar by Nik Nicholson

BISEXUAL FICTION
My Education by Susan Choi

TRANSGENDER FICTION
Wanting in Arabic by Trish Salah

LGBT NONFICTION
White Girls by Hilton Als

TRANSGENDER NONFICTION
The End of San Francisco by Mattilda Bernstein Sycamore

BISEXUAL NONFICTION
The B Word: Bisexuality in Contemporary Film and Television by Maria San Filippo

GAY POETRY
Unpeopled Eden by Rigoberto Gonzalez

LESBIAN POETRY
Rise in the Fall by Ana Bozicevic

LGBT GRAPHIC NOVEL
Calling Dr. Laura: A Graphic Memoir by Nicole J. Georges

LGBT CHILDREN’S/YA – TIE
If You Could Be Mine by Sara Farizan

Two Boys Kissing by David Levithan

GAY MEMOIR/BIOGRAPHY
A Heaven of Words: Last Journals, by Glenway Wescott, Ed. Jerry Rosco

LESBIAN MEMOIR/BIOGRAPHY
Body Geographic by Barrie Jean Borich

GAY MYSTERY
The Prisoner of the Riviera: A Francis Bacon Mystery by Janice Law

LESBIAN MYSTERY
High Desert by Katherine V. Forrest

GAY ROMANCE
Into This River I Drown by TJ Klune

LESBIAN ROMANCE
Clean Slate by Andrea Bramhall

GAY EROTICA
The Padisah’s Son and the Fox: an erotic novella, by Alex Jeffers

LESBIAN EROTICA
Wild Girls, Wild Nights: True Lesbian Sex Stories by Ed. Sacchi Green

LGBT ANTHOLOGY
FICTION
Queer Africa: New and Collected Fiction by Karen Martin and Makhosazana Xaba

NON-FICTION
Who’s Yer Daddy?: Gay Writers Celebrate Their Mentors and Forerunners by Eds. Jim Elledge and David Groff

LGBT DRAMA
Tom at the Farm by Michel Marc Bouchard

LGBT SF/F/HORROR
Death by Silver by Melissa Scott & Amy Griswold

LGBT STUDIES
Safe Space: Gay Neighborhood History and the Politics of Violence by Christina B. Hanhardt

Writers' Dream: Editors & Agents Came to Chinelo Okparanta

Happiness Like Water Author Chinelo Okparanta_peoplewhowrite

Chinelo Okparanta

For many writers, the path to publication is fraught with rejection and interminable periods waiting for a response or decision. Not so for Chinelo Okparanta who was named one of Granta Magazine’s six New Voices for 2012.

Her upcoming story collection Happiness, Like Water, which she wrote while attending the prestigious Iowa Writers’ Workshop, was sold, she says, “in a very non-dramatic, almost underwhelming sort of way.” Instead, the Amazon description of her book suggests all the excitement is reserved for the stories in her book. “In Happiness, Like Water Chinelo Okparanta offers a portrait of Nigeria that is surprising, shocking, heartrending, loving,” the abstract reads.

Coming August 13, 2013, Okparanta points to “Wahala!” and “Story, Story!” for the surprises promised in the synopsis, adding, “All the stories are quite a bit heartrending, but ‘Runs Girl’, ‘Grace’, ‘Tumors and Butterflies’ and ‘Shelter’ stick out to me as the most heartrending.”

Pre-order a copy here.

What sparked you to write Happiness, Like Water?
I wrote many, if not all, of the stories during my second year at the Iowa Writers’ Workshop. Each story had its own separate trigger–an incident, a memory, an emotion, a problem. Whatever the trigger, I made it a point to sit down and write, and to my surprise, the stories gushed out.

What was your process for writing Happiness, Like Water?
I wrote HLW while completing my MFA at Iowa… I’ve never set for myself a strict writing schedule, but I do find that my head is much clearer in the mornings than later in the day, and so I’ve gotten into the habit of writing as soon as I wake up. Of course, it’s not every morning that one sets out to write that one succeeds in getting any writing done.

What’s the short story of how Happiness, Like Water got published?
HLW was lucky. I was lucky. Editors and agents frequently visit the Iowa Writers’ Workshop, and I was lucky to be signed by one of these visiting agents. Shortly after, I was lucky to have two stories picked up by a visiting editor. The timing was right. Eventually the book was sold–in a very non-dramatic, almost underwhelming sort of way.

Happiness Like Water by Chinelo Okparanta

Happiness, Like Water will be released on August 13, 2013

Being from Nigeria, I’m sure you’ve been called an “African writer” at least once in your career. How do you feel about the term?
I’ve been called an African writer, yes. The term does not bother me insofar as I am in fact African and proud of my African-ness. But I am also aware that the term “African Writer”, like many other racial labels, can be limiting, constricting. In a sense, claustrophobic. This is the nature of categorization in general. Categories have a way of boxing us up, of creating divisions, of constructing walls that seem to say, “You belong there, but I here.” I understand that categories are also essential for acknowledging the existence of differences. They can be affirming, and so I appreciate them. In recent history, they have even been essential in the fight for equal rights of underrepresented groups. They have led to quite a bit of progress where that is concerned. However, I believe that it will be a sign of even more progress when we arrive at a point in which we no longer have to rely so heavily on them, not even as a marketing ploy.

What are you working on next?
A novel and a second collection of stories.

More writers share their thoughts, process, & publishing paths:

>Liza Monroy uses fact to inspire her fiction              

>Petra Lewis wrote her novel to address gun violence

>Kristen Browning-Blas talks digital’s impact on journalism

>Tinesha Davis is working on one thing–finishing her 2nd book